Since everybody is so excited (including the NY Times) about all those billboards on sheep, here's something else: "Fifteen of the woolly animals in Northumberland have been daubed with random words and left to roam their field - making poetry in motion." -- Sky News, Dec.2002
When I saw this pic on Mighty Optical Illusions, it took me forever to figure out what the illusion was. Now I am torn between spoiling it and letting you figure it out. Guess which one I picked. Or is it just me who's slow here. -- source: Optical Illusions etc
Lethal says, "This is a piece for Honda at 49 Old St, London. Designed to tease and communicate the proposition provided by Honda's new Civic Hybrid, which is exempt from the London Congestion Charge because of low emission rates. NO CHOKE is made from moss and wood, and was designed and produced by Lethal and Sally McCaffrey, a landscape artist."
Oh, this is the work of genius. Why waste the precious steam coming from the manhole covers when you can make a perfect coffee ad out of it. -- Coloribus
Photoshopped or not, this supposedly Google's billboad for its AdWords program raise a bunch of interesting questions about advertising going transmedia. Would be even better if made clickable. -- via advertising for peanuts
I know you've seen this image already, but for the sake of record-keeping I had to repost it here. Nice, but not original. Golden Palace has already branded cows. -- via We Make Money
Looks like remodelling bathroom doors is the second hottest trend in out-of-home advertising right after hacking urinals (followed closely by crushing balls). This is a good one, though. The Pedestrian Council of Australia made public bathrooms look like jail cells to convey the consequences of drinking and driving (don't-drink-and-drive billboards are a whole separate subject altogether). -- from Frederik Samuel's
AdRants writes about a giant - 75 X 110 foot - replica of the Maxim magazines's cover placed in the Las Vegas desert to celebrate Maxim's 100th issue. Let's get a huge model if we can't have our huge iPod.